{"id":394,"date":"2025-12-09T14:12:46","date_gmt":"2025-12-09T13:12:46","guid":{"rendered":"https:\/\/oniromorphe.com\/ch04\/?page_id=394"},"modified":"2025-12-09T17:38:03","modified_gmt":"2025-12-09T16:38:03","slug":"programme","status":"publish","type":"page","link":"https:\/\/oniromorphe.com\/ch04\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img width=\"800\" height=\"39\"  alt=\"\" class=\"wp-image-450 lws-optimize-lazyload\"\/ data-src=\"https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-orange.png\" srcset=\"https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-orange.png 800w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-orange-300x15.png 300w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-orange-768x37.png 768w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-orange-600x29.png 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:28px\">Travail en cours 2026<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>DELALANDE Michel-Richard (1657-1726) | Grand Motet Dominus regnavit S.65<\/li>\n\n\n\n<li>MONDONVILLE Jean-Joseph Cassan\u00e9a de (1711-1772) | Grand motet Dominus regnavit Psaume XCVI<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img width=\"800\" height=\"39\"  alt=\"\" class=\"wp-image-398 lws-optimize-lazyload\"\/ data-src=\"https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait.png\" srcset=\"https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait.png 800w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-300x15.png 300w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-768x37.png 768w, https:\/\/oniromorphe.com\/ch04\/wp-content\/uploads\/2025\/12\/trait-600x29.png 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-size:25px\">R\u00e9pertoire | Codex des \u0153uvres<br><\/h3>\n\n\n\n<p><em>(class\u00e9es par ordre chronologique de leurs compositeurs)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>PALESTRINA (1525-1594) | Missa brevis | Messe du Pape Marcel<\/li>\n\n\n\n<li>BYRD (1543-1623) | Messe pour 4 voix<\/li>\n\n\n\n<li>VICTORIA (1548-1611) | Missa dominicalis<\/li>\n\n\n\n<li>MONTEVERDI (1576-1643) | Magnificat<\/li>\n\n\n\n<li>ALLEGRI (1582-1652) | Miserere<\/li>\n\n\n\n<li>SCH\u00dcTZ (1585-1672) |&nbsp; Deutsches Magnificat 1657<\/li>\n\n\n\n<li>BUXTEHUDE (1637-1707) | &nbsp;\u00bb Herzlich lib hab Dich, o Herr&nbsp;\u00bb | \u00ab&nbsp;Jesu meines Lebens Leben&nbsp;\u00bb<\/li>\n\n\n\n<li>CHARPENTIER (1643-1704) | Stabat mater pour les Religieuses | Miserere des J\u00e9suites | Kyrie (extr. Messe pour Port Royal) | Antiennes \u00e0 la Vierge | Messe de minuit pour No\u00ebl<\/li>\n\n\n\n<li>BACH J.M. (1648-1694) | Motet \u00ab&nbsp;Das Blut Jesu Christi&nbsp;\u00bb<\/li>\n\n\n\n<li>DELALANDE (1657-1726) | Te Deum | Les Fontaines de Versailles<\/li>\n\n\n\n<li>PURCELL (1659-1695) | King Arthur<\/li>\n\n\n\n<li>BRUHNS (1665-1697) | Cantate \u00ab&nbsp;Die Zeit meines Abschieds ist vorhanden&nbsp;\u00bb<\/li>\n\n\n\n<li>COUPERIN (1668-1735) | Motet de Saint Augustin<\/li>\n\n\n\n<li>ALBINONI (1671-1750) | Magnificat<\/li>\n\n\n\n<li>VIVALDI (1678-1741) | Magnificat | Beatus vir | Credo<\/li>\n\n\n\n<li>ZELENKA (1679-1750) | Miserere<\/li>\n\n\n\n<li>RAMEAU (1683-1784) | Laboravi clamans<\/li>\n\n\n\n<li>BACH J.S. (1685-1750) | Cantate 7 \u00ab&nbsp;Christ unser Herr zum Jordan kam&nbsp;\u00bb | Cantate 61 \u00ab&nbsp;Nun komm, der Heiden Heiland&nbsp;\u00bb | Cantate 147 (choral final) \u00ab&nbsp;Jesus bleibet meine Freunde&nbsp;\u00bb | Motet \u00ab&nbsp;Komm, Jesu, komm&nbsp;\u00bb<\/li>\n\n\n\n<li>HAENDEL (1685-1759) | Messie | Dixit Dominus | Tamerlano (choeur final) | Nisi Dominus<\/li>\n\n\n\n<li>PERGOLESI (1710-1736) | Stabat Mater<\/li>\n\n\n\n<li>BACH C.P.E. (1714-1788) | Magnificat<\/li>\n\n\n\n<li>HAYDN (1732-1809) | Messe br\u00e8ve en fa<\/li>\n\n\n\n<li>MOZART (1756-1791 | V\u00eapres solennelles d\u2019un confesseur | Requiem | Ave verum corpus | Sancta Maria, mater Dei<\/li>\n\n\n\n<li>BEETHOVEN (1770-1827) | Ode \u00e0 la joie (9e symphonie)<\/li>\n\n\n\n<li>AUBER (1782-1871) | O salutaris hostia<\/li>\n\n\n\n<li>ROSSINI (1792-1868) | Mo\u00efse \u00ab&nbsp;Pri\u00e8re&nbsp;\u00bb | Guillaume Tell (Choeur des villageois) | Petite Messe Solennelle<\/li>\n\n\n\n<li>BELLINI (1801-1835) | Norma&nbsp; (\u00ab&nbsp;Casta Diva&nbsp;\u00bb)<\/li>\n\n\n\n<li>ADAM (1803-1856) | Gloria<\/li>\n\n\n\n<li>MENDELSSOHN (1809-1847) | Aus Tiefer Not<\/li>\n\n\n\n<li>LISZT (1811-1886) | Ave verum corpus | Missa choralis<\/li>\n\n\n\n<li>WAGNER (1813-1883) | Lohengrin (Marche nuptiale) | Le vaisseau fant\u00f4me (Choeur des fileuses) |<\/li>\n\n\n\n<li>VERDI (1813-1901) | Macbeth (Choeur des r\u00e9fugi\u00e9s \u00e9cossais, Choeur des sorci\u00e8res) | Nabucco (Choeur des esclaves h\u00e9breux) | Il Trovatore (Choeur des soldats) | Requiem<\/li>\n\n\n\n<li>GOUNOD (1818-1893) | Messe de Sainte C\u00e9cile | Messe de Saint Jean l\u2019Evang\u00e9liste | Mireille ( la farandole) |<\/li>\n\n\n\n<li>MONIUSKO (1819-1872) | Ecce lignum crucis<\/li>\n\n\n\n<li>BRUCKNER (1824-1896) | Geistliche Ges\u00e4nge<\/li>\n\n\n\n<li>BRAHMS (1833-1897) | Zwei Motetten<\/li>\n\n\n\n<li>SAINT-SA\u00cbNS (1835-1921) | Offertoire (&nbsp;\u00bb Justorum animae&nbsp;\u00bb) | Tollite hostias<\/li>\n\n\n\n<li>BIZET (1838-1875) | Te Deum<\/li>\n\n\n\n<li>FAURE (1845-1924) | Cantique de Jean Racine | Les Djinns | Pavane | Madrigal<\/li>\n\n\n\n<li>MAHLER (1860-1911) | &nbsp;\u00bb Ich bin der Welt abhanden gekommen&nbsp;\u00bb<\/li>\n\n\n\n<li>DEBUSSY (1862-1918) | Trois Chansons de Charles d\u2019Orl\u00e9ans<\/li>\n\n\n\n<li>RAVEL (1875-1937) | Trois Chansons pour choeur mixte sans accompagnement<\/li>\n\n\n\n<li>POULENC (1899-1963) | Salve Regina | Ave Maria | Litanies \u00e0 la Vierge Noire | Messe en Sol | Motets \u00ab&nbsp;Timor et tremor&nbsp;\u00bb &amp; \u00ab&nbsp;Vinea mea electa&nbsp;\u00bb | Sept chansons | Quatre motets pour le temps de No\u00ebl | Huit chansons fran\u00e7aises<\/li>\n\n\n\n<li>DURUFLE (1901-1986) | Notre P\u00e8re | Requiem | Motets \u00ab&nbsp;Ubi caritas&nbsp;\u00bb, \u00ab&nbsp;Tota pulchra es&nbsp;\u00bb, \u00ab&nbsp;Tantum ergo&nbsp;\u00bb<\/li>\n\n\n\n<li>BARBER (1910-1981) | Agnus Dei<\/li>\n\n\n\n<li>DESENCLOS (1912-1971) | Requiem<\/li>\n\n\n\n<li>P\u00c4RT (1935-) | Magnificat | De profundis | Berliner Messe | The Beatitudes | Sieben Magnificat-Antiphonen<\/li>\n\n\n\n<li>HUTEAU (19..?-) | Le train des pignes<\/li>\n\n\n\n<li>PLANEL (19..?-) | Le chant du monde (d\u2019apr\u00e8s Giono)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Travail en cours 2026 R\u00e9pertoire | Codex des \u0153uvres (class\u00e9es par ordre chronologique de leurs&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-394","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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